Above are some of my experiments with slip casting. I studied Ceramic Design at St Martins and going back to this method is like coming full circle after hand building for the past 7 years. However I do consider this to be a commercial side project and my bigger more expensive and time consuming pots are my main thang. I am hoping these two methods will feed into each other and combine in some way. I anticipate that this development will take time as balancing teaching, and MA, and A' Level and the studio is damned tight, but eventually......
A ceramic artist for over 20 years, living in Eastbourne and currently working out of my kitchen. www.annecastanoceramics.com
Wednesday, 6 October 2010
Slip casting
Above are some of my experiments with slip casting. I studied Ceramic Design at St Martins and going back to this method is like coming full circle after hand building for the past 7 years. However I do consider this to be a commercial side project and my bigger more expensive and time consuming pots are my main thang. I am hoping these two methods will feed into each other and combine in some way. I anticipate that this development will take time as balancing teaching, and MA, and A' Level and the studio is damned tight, but eventually......
Saturday, 12 June 2010
New range of shapes
This is the latest range of shapes I have developed. I am pleased with the shape and I liked them before I glazed them and put them in the kiln, I feel the colours detract from the form. Any thoughts, ideas or suggestions on how these pieces look/work would be gratefully received.



Fresh out of the kiln, they were still warm at this point.
Wednesday, 19 May 2010
Trying to do it quicker...
I have just set up a Facebook page (http://www.facebook.com/annbolina) for my artwork to show it to my friends and the response has been pretty impressive and uplifting for me. I wish I had done it sooner! I have had interest in my work, words of support and encouragement (which is always good), and an offer of setting up a stall in Brick lane once a month. So this is what I am working towards now.
Given that my work is generally enormous and takes hours to make, I have been working on some stuff that is quicker to make and cheaper to sell. I would struggle to shift big, fragile and expensive pieces at Brick lane which is notoriously packed out, and full of students who have no money. Therefore I have been working on press moulding returning to my ceramic design roots back in the St Martins days. I am making what I hope will be quirky, cheaper pieces which can be packed away easily if they are bought on the day. I will however put out some of my big pieces when I am at Brick Lane and give cards to anyone who may express an interest, you never know!
Below is a picture of the work I am currently making, in the background you can see the mould I used to press the clay into shape. I am using the re-occurring nipple theme. This time on an every day object that is made to be used and touched. I like the idea of confronting people with the unexpected, nudity is still taboo especially in particular situations. Having a nipple confront you at the bottom of rather fulfilling bowl of soup while meeting your boyfriend's parent's for the first time could throw up a wide variety of responses. Placing the nipple out there for everybody to see, touch and fondle is forcing people to deal with imagery they may not expect to encounter in an everyday situation. My hope is that people would see my work as cheeky and rather humerous. However there is the risk that people of some religious or cultural backgrounds may find this kind of imagery challenging or embarrassing when used in a context they are not familiar with.

I am not really sure what my aim is with the ongoing nipple theme. I am not trying to conqour the nudity tabboo, and although there are casts of my nipples out there for the world to see, I have no intention of whipping out my real ones in any public places in the near future. I like the idea of the vessel as an analogy of the female form, an abstraction and a way of communicating concepts and ideas of womanhood, and I am sure this plays some role. However I have no clear or conclusive reasons, I guess I will keep on doing it untill I have worked it through.
I am looking to develop other symbols which I will integrate into my work as it develops. Over the last few months I have started to keep a diary of each object I make. (Mainly the larger peices). I log the time I spend on each peice and document the visual inspiration, thought processes and descsion making as the peices develop and grow, sometimes just words, other times larger peices of text. I diary for each object. I am hoping this will help me to rationalise and explore my work critically as it develops.
Given that my work is generally enormous and takes hours to make, I have been working on some stuff that is quicker to make and cheaper to sell. I would struggle to shift big, fragile and expensive pieces at Brick lane which is notoriously packed out, and full of students who have no money. Therefore I have been working on press moulding returning to my ceramic design roots back in the St Martins days. I am making what I hope will be quirky, cheaper pieces which can be packed away easily if they are bought on the day. I will however put out some of my big pieces when I am at Brick Lane and give cards to anyone who may express an interest, you never know!
Below is a picture of the work I am currently making, in the background you can see the mould I used to press the clay into shape. I am using the re-occurring nipple theme. This time on an every day object that is made to be used and touched. I like the idea of confronting people with the unexpected, nudity is still taboo especially in particular situations. Having a nipple confront you at the bottom of rather fulfilling bowl of soup while meeting your boyfriend's parent's for the first time could throw up a wide variety of responses. Placing the nipple out there for everybody to see, touch and fondle is forcing people to deal with imagery they may not expect to encounter in an everyday situation. My hope is that people would see my work as cheeky and rather humerous. However there is the risk that people of some religious or cultural backgrounds may find this kind of imagery challenging or embarrassing when used in a context they are not familiar with.
I am not really sure what my aim is with the ongoing nipple theme. I am not trying to conqour the nudity tabboo, and although there are casts of my nipples out there for the world to see, I have no intention of whipping out my real ones in any public places in the near future. I like the idea of the vessel as an analogy of the female form, an abstraction and a way of communicating concepts and ideas of womanhood, and I am sure this plays some role. However I have no clear or conclusive reasons, I guess I will keep on doing it untill I have worked it through.
I am looking to develop other symbols which I will integrate into my work as it develops. Over the last few months I have started to keep a diary of each object I make. (Mainly the larger peices). I log the time I spend on each peice and document the visual inspiration, thought processes and descsion making as the peices develop and grow, sometimes just words, other times larger peices of text. I diary for each object. I am hoping this will help me to rationalise and explore my work critically as it develops.
Sunday, 25 April 2010
Keeping it going
This is my latest pot, I have a back log of bisque fired pots to glaze. I have some new botz glazes that I will be testing out.
This really is a new range of pots, the shape has developed into a kind of a bullet, this was inspired by some work I saw at the London Art Fair in Angel this year. I am focusing on building a body of work which I will photograph and start making applications for shows and galleries. I have been making in the depths of Mile End with out anyone seeing my work for 5 years now. I really need to build up the courage to put my stuff out there. I have teaching under my belt now, my Blog is up and running, my website is in the making, now I need to try and get into some shows.
I went to the new Ceramics section at the V&A yesterday the contemporary Ceramics section blew me away. In my dreams this is where my work will be. I have some pictures from the show I will put up for your perusal.
Sunday, 28 March 2010
Developing new shapes
I have been developing new shapes inspired by some work I saw at the London Art Fair in February. Pod like tall slender shapes. Still haven't got the shape quite how I want it. I will keep working through it until I have resolved the form and have it exactly how I imagined. Already these shapes are evolving and metamorphosing into new forms in my sketches in a slow evolution.
I continue to develop the surface of these works, I am considering integrating decals developed in Photoshop onto the body of the work, possibly reintroducing some sort of narrative, an idea I dabbled in a few years back.
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